{"id":2480,"date":"2018-07-02T18:46:39","date_gmt":"2018-07-02T16:46:39","guid":{"rendered":"http:\/\/wp.vlthemes.com\/vinero-portfolio\/?p=2480"},"modified":"2022-02-25T09:50:13","modified_gmt":"2022-02-25T09:50:13","slug":"minimal-work-place","status":"publish","type":"post","link":"https:\/\/www.lixinart.com\/fr\/minimal-work-place\/","title":{"rendered":"Li Xin, flux et reflux de la peinture"},"content":{"rendered":"

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Philippe Piguet<\/p>\n

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\u00ab\u00a0Le sujet, c\u2019est toi-m\u00eame, ce sont tes impressions, tes \u00e9motions devant la nature. C\u2019est en toi qu\u2019il faut regarder et non autour de toi.\u00a0\u00bb Ainsi s\u2019exprime Eug\u00e8ne Delacroix dans son Journal<\/em>. Face aux \u0153uvres de Li Xin, ces paroles r\u00e9sonnent d\u2019un timbre particulier. Elles nous invitent \u00e0 prendre la mesure d\u2019une d\u00e9mesure, celle d\u2019un espace qui s\u2019\u00e9tend \u00e0 l\u2019infini et que l\u2019artiste aspire \u00e0 embrasser. La couleur monochrome, les \u00eelots de mati\u00e8re, les coul\u00e9es et les br\u00e8ches, le flux et le reflux, tout concourt \u00e0 d\u00e9terminer son art \u00e0 l\u2019aune d\u2019une exp\u00e9rience mentale, sensible et m\u00e9morable dont le fleuve Jaune est le motif originel. Li Xin le porte en lui, comme C\u00e9zanne disait\u00a0: \u00ab\u00a0Le paysage se pense en moi et je suis sa conscience\u00a0\u00bb. Tous les gestes du peintre qui font au fil du temps ses tableaux proc\u00e8dent de ce seul et unique motif. S\u2019il sait que donner \u00e0 voir le paysage dans sa totalit\u00e9 et dans sa pl\u00e9nitude absolue tient d\u2019un pari fou, il s\u2019est invent\u00e9 les moyens d\u2019en faire un organisme naissant.
\n\u00ab\u00a0L\u2019eau, dit Li Xin, c\u2019est mon mat\u00e9riau principal.\u00a0\u00bb Elle est en effet celle par qui la peinture existe. Celle qui en informe l\u2019image dans les \u00e9v\u00e9nements, voire les accidents de son \u00e9tendue. Pour ce faire, le peintre dit qu\u2019il la fait boire \u00e0 ses papiers, choisis avec soin pour leur qualit\u00e9 d\u2019absorption. La peinture de Li Xin proc\u00e8de ainsi de la dualit\u00e9 d\u2019une osmose\u00a0: d\u2019une part, des effluves de l\u2019encre qu\u2019il se fabrique lui-m\u00eame \u00e0 partir de pigments bruts et qui s\u2019approprie lentement le champ iconique\u00a0; de l\u2019autre, du ressenti de l\u2019artiste dont le corps est le vecteur. Ce qu\u2019il en r\u00e9sulte ne sont pas des monochromes au sens plat du mot\u00a0 mais tout un monde de variations d\u2019un m\u00eame ton qui se d\u00e9cline entre infra mince et densit\u00e9. L\u2019\u00e9cho m\u00e9morable du fleuve Jaune y d\u00e9termine comme une g\u00e9ologie de la peinture que les humeurs du temps font adh\u00e9rer au concept de vitalisme, cher au Si\u00e8cle des Lumi\u00e8res, et que celles de l\u2019artiste rattachent au principe de n\u00e9cessit\u00e9 int\u00e9rieure<\/em> d\u00e9fendu par Kandinsky. Adoss\u00e9 \u00e0 ces r\u00e9f\u00e9rents, l\u2019art de Li Xin instruit les termes d\u2019une pens\u00e9e picturale prospective qui se fonde sur la tradition tout en la ressour\u00e7ant.<\/p>\n

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