<\/p>\n\u8d85\u8d8a\u6f02\u6cca<\/h3>\n
2025\u674e\u6615\u5728\u6cd5\u56fd\u79fb\u6c11\u5386\u53f2\u535a\u7269\u9986\u5c55\u51fa<\/b><\/p>\n
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Je viens d’une famille Hakka. Pour des raisons li\u00e9es \u00e0 l’histoire, mes anc\u00eatres, apr\u00e8s avoir travers\u00e9 une grande partie de la Chine, se sont install\u00e9s dans le sud avant de repartir vers le nord. Comme je partage mon temps entre la Chine et la France, je pense toujours au sens que peuvent avoir ces d\u00e9placements. Je n’ai jamais v\u00e9ritablement immigr\u00e9, du point de vue contemporain du terme, mais je me d\u00e9place souvent. Pendant ces voyages j\u2019ai pr\u00e9cis\u00e9ment le sentiment d\u2019immigrer, et le spectacle des nuages vus \u00e0 travers les hublots de l’avion, me fascine. Leurs mouvements sont libres, sans destination aucune. Plus l\u00e9gers que nous, ils se d\u00e9placent \u00e0 leur gr\u00e9 d’un endroit \u00e0 un autre, comme \u00e0 la d\u00e9rive, et ne cessent de changer de forme. Cela me touche profond\u00e9ment. Bien que mes d\u00e9placements ne rel\u00e8vent pas de l’immigration, au sens politique du mot aujourd’hui, quand je voyage mon esprit et mon corps sont l\u2019objet d\u2019un processus d\u2019\u00e9change, de mouvement, d’adaptation et de modification. Aussi, pour ma participation \u00e0 l’exposition du Mus\u00e9e de la Porte Dor\u00e9e, j’ai pens\u00e9 que je devais m\u2019inspirer de la fluidit\u00e9 des nuages pour faire une \u0153uvre laissant l\u2019encre d\u00e9river librement sur le papier de riz.<\/p>\n
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